I write poems to shine a light on the spaces between things. For me, poems exist on the border between articulating and gesturing. They introduce images and sing along to them. Rarely do they finish anything up.

My poetry books aren’t really “collections.” That term reminds me of little figurines locked into a curio cabinet. Instead, I aspire to have my books read like verse novellas: pulling you along with reappearing oddities, scraps that align into stories and characters who take you by the hand. 


Just released from Factory Hollow Press, summer 2020. This short collection of fake book jacket blurbs written as little prose poems is funny, wry and barely wise. It has a  beautiful cover by Bianca Stone. She’s an amazing artist and the creator of poems, poetry comics and children’s books. You can order I Almost Read the Books Whole here. It’s $10.





The ultimate book about gentrification and loss. It’s also a poetry book. And an adventure story with the ghost of a dead poet, a real live girl and an old Victorian apartment house in the middle of Old Seattle., sitting on stolen Duwamish land.  The bulldozers come for it, but something about the place can’t quite be erased. The poems shine from the rubble. Published by Chin Music Press in 2017. Finalist for the Washington State Book Award. $14.95 from your favorite bookseller. 



Timber Curtain was written alongside the documentary film Where the House Was, a film co-written and produced by Cali Kopczick, directed by Ryan Adams and edited by Ian Lucero. The film follows the tear-down of the old Richard Hugo House in Seattle. 






The Bled is a book of poems set in Marrakesh and traces the story of my husband’s death while our family was living in the Red City. It won the 2011 Washington State Book Award and the Grub Street National Book Prize in Boston. It is published by Factory Hollow Press and you can order it here. $14.


The Stenographer’s Breakfast is my first book, told through the perspective of a court reporter, a woman taking “dictation” from the men around her. The book won the Barnard New Women’s Poetry Prize in 1991 and is published by Beacon Press. You can order it from your favorite bookseller or from Beacon Press. $15.





“If you want to communicate, use the telephone,” bellowed poet Richard Hugo. I write  prose when what I want to say is too complicated for the phone and too spelled out for the unsayable texture of poetry.

Here’s a book of art history. In it, I describe artists, writers and arts advocates in seventy mini-essays.

My prose with Mary Randlett's portraits.

Mary Randlett Portraits is a curated tour of photographer Mary Randlett’s portraits of visual artists, writers and arts advocates in the Puget Sound region from 1949-2013. In seventy mini-essays, I describe Randlett’s relationship to the subjects and their influences on the rest of the culture around them. Starting with painters Morris Graves and Mark Tobey, weaving through poets Theodore Roethke and Carolyn Kizer, this collection brings alive a vibrant era in the arts. Published by University of Washington Press in 2014. Available at your favorite bookstore. $44.95.




The Car That Brought You Here Still Runs is a road trip book about traveling in search of the towns poet Richard Hugo visited, fished in and wrote poems about. Finalist in History/Non-Fiction for the 2011 Washington State Book Award. Published by the University of Washington Press and available at your favorite bookseller. $30.